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Audio Tools 405 Tools Available

Free Online Audio Tools, Cutter, Converter, Normalizer, Meters and Generators

Thirty three audio tools that work without uploading anything. Cut, split, merge, convert, compress and normalise. Change speed, pitch, volume and tone. Measure loudness, tempo and silence. Most of them download nothing at all, because your browser already has the audio engine they need.

Free Forever Nothing Uploaded, Ever No Encoder to Download No Account, No Watermark
Free Online Audio Tools, Cutter, Converter, Normalizer, Meters and Generators
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Choose an Audio Tool

Every one of them runs in this tab. Nothing is uploaded, and most of them download nothing either.

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Which Tool Do I Need?

Every tool in this section appears once below. Find the sentence that sounds like you.

Cut, join and change the length

Changing what is in the file, and how long it runs.

What you are trying to do Tool Why that one
Trim the silence off the front of a voice note, or keep one stretch of a long recording Audio Cutter The cut lands on the exact sample you marked, and nothing clicks at the join.
Turn one long recording into separate numbered files Audio Splitter Equal parts, fixed lengths, or automatically at every pause in the recording.
Put several recordings or tracks together into one file Bulk Audio Merger Files that do not match are converted first, so nothing plays at the wrong speed.
Cut the dead air out of a long recording Bulk Audio Silence Remover It can shorten long pauses rather than delete them, so speech still sounds natural.
Repeat a clip, or fill ten minutes with a short piece Audio Loop Maker The joins are snapped to a zero crossing or crossfaded, so nothing clicks.

Change the format, size or shape

Same sound, different container, smaller file, or different sample rate.

What you are trying to do Tool Why that one
Turn a folder of M4A or WMA files into MP3 Bulk Audio Converter A whole batch at once, one file at a time so it finishes, with per file settings.
Get a recording under a size limit so it will send Bulk Audio Compressor Give it the megabytes and it works the bitrate out from each file's own length.
Match everything to 48 kHz for a video project, or shrink speech files Bulk Audio Sample Rate Converter Filtered properly on the way down, and honest about what going up does.
Embed a short sound in a page, or recover a file from Base64 Audio to Base64 Converter Both directions in the page, ready to paste and playable before download.

Change how it sounds

Loudness, tone, speed and cleaning up. Everything here is measured, not guessed.

What you are trying to do Tool Why that one
Listen to a long recording faster without the voices going squeaky Bulk Audio Speed Changer The pitch stays put, and you can aim at a finishing length instead of a multiple.
Move a backing track into a different key without it getting shorter Bulk Audio Pitch Changer The pitch moves in semitones and the length stays exactly where it was.
Make a quiet recording louder without it distorting Bulk Audio Volume Changer It measures the file first and will not let you push past what it can take.
Make a set of tracks or episodes sit at the same loudness Bulk Audio Normalizer It measures loudness the way streaming services do, not just the loudest sample.
Give a clip or a track a clean opening and ending Bulk Audio Fade In and Out Four real curve shapes, and the fade out lands on each file's own ending.
Get the fan or the hiss out of a recording Bulk Audio Noise Reducer It learns the constant background from a quiet moment and subtracts exactly that.
Fix a recording that sounds muddy, thin or harsh Bulk Audio Equalizer Ten octave-spaced bands with a guard that stops a boost from clipping the file.
Add some bass, or brighten a dull recording Bulk Bass and Treble Booster Two shelving controls like an amplifier, with a guard so a boost cannot clip.
Play something backwards, or make a clip that loops seamlessly Bulk Audio Reverser Completely lossless, and the boomerang turn does not stutter.

Left and right channels

Taking the two sides apart, and putting two files back together as one stereo file.

What you are trying to do Tool Why that one
Pull two microphones recorded on two channels into separate files Audio Channel Splitter Each channel comes out untouched as its own mono file, named rather than numbered.
Put two separately recorded microphones into one stereo file Audio Channel Merger They play together on separate channels, and nothing is lost when the lengths differ.
Make a stereo recording mono to halve its size Bulk Mono and Stereo Converter It measures the two channels first and warns before a fold that would cancel them.

Look at what is actually in it

Nothing here changes your file. These pages measure it and tell you.

What you are trying to do Tool Why that one
See where the gaps in a long recording are without changing anything Audio Silence Detector It only measures. You get a list you can click, and export as CSV or text.
Turn a recording into a picture for a cover or an audiogram Audio Waveform Generator A PNG at any size, with a transparent background when you need one.
Take the tags and purchase records out of a file before sending it Bulk Audio Metadata Remover The sound is copied bit for bit, so stripping the tags costs nothing.
Check whether a file is really the bitrate it claims Audio Spectrum Analyzer The cutoff frequency gives the real bitrate away, whatever the tag says.
Find out the tempo of a track Audio BPM Detector Half and double time are both shown, with a click you can check them against.
Find out whether a track is loud enough for streaming Audio Loudness Meter Real gated LUFS, true peak and dynamic range, with a chart over time.
Find out the real bitrate of a file, or see what tags it carries Bulk Audio Metadata Viewer Both bitrates and every tag, read on your own machine.
Know how big a recording will be before you make it Audio File Size Calculator Three questions from one formula, and exact for uncompressed audio.

Make a sound from nothing

No file goes in. One comes out.

What you are trying to do Tool Why that one
Record a voice note without installing anything or uploading it Audio Recorder It stays in the page, with a live meter and the browser processing switchable.
Make a test tone, a sweep, or some pink noise Audio Tone and Noise Generator Proper logarithmic sweeps and real pink noise, playable before you save.

Test your own microphone and speakers

For the moment before a call, when you need to know whether it is you or them.

What you are trying to do Tool Why that one
Check the microphone works before a call or a recording Microphone Test It measures your voice against your room, not just a level bar.
Check speakers or headphones before a call or a listen Speaker and Headphone Test Names left and right, and catches a backwards wired channel that nothing else finds.

How Audio in a Browser Actually Works

The same four steps, whichever tool you pick, and the fourth one is usually free.

1
Your file opens in the page Drop it in and the page reads it straight off your disk. There is no upload, so a hundred megabyte file is ready as fast as your browser can open it, and just as fast on a slow connection.
2
The sound is opened at full detail Your browser already has a complete audio engine in it. The file is decoded into plain numbers, one per sample, and that is what every one of these tools works on. Nothing is downloaded for this step.
3
The work is done on those numbers Trimming, fading, loudness, filters, speed, channels, analysis: all of it is arithmetic on the samples, done by your own processor. That is why the results are exact rather than approximate, and why you can check them.
4
A file is written, and only then might something download WAV this page writes itself, so nothing is fetched at all. MP3, M4A, OGG and FLAC need a real encoder, and that is a thirty megabyte download the first time you ask for one. Your browser keeps it afterwards.

Why Use These Instead of an Upload Site

The things that are actually different, including the ones that are worse.

Your recording never leaves the machine That matters more for audio than for almost anything else. A voice note, an interview, a doctor's dictation, a song you have not released: none of it belongs on someone else's server just to have two seconds trimmed off the front.
Most of these pages download nothing Browsers have had a full audio engine built in for years, and almost nobody uses it. Trimming, fading, loudness, filters and analysis all run on it, so the work starts the moment you press the button. An encoder is only fetched if you ask for a compressed format at the end.
The numbers are real numbers The loudness meter follows the broadcast standard, gate and all. The BPM detector correlates the energy of the file against itself. The spectrum comes from a real transform, windowed properly. None of these pages guess and then round the guess.
No account, no watermark, no daily limit There is nothing to sign up for, because there is no server doing the work and therefore nothing to meter. Run fifty files through in an afternoon if you want to.
Length is the real ceiling, and it is your device Sound opened at full detail takes about twenty one megabytes of memory for every minute of stereo. A song is nothing. A two hour recording is a real load, and on a phone it may not finish at all. Every page here tells you where you stand as soon as you pick a file, instead of failing halfway through.
Compressed formats always lose a little Opening an MP3 and saving it as an MP3 is a second round of throwing information away, whatever tool you use, here or anywhere. Where it matters, take WAV or FLAC out of these pages instead. That is not a limitation of this site; it is what those formats are.

About WizTools Audio Tools

Audio tools online have a habit of asking for the one thing you would rather not give: the file itself. To cut four seconds off a voice note, you upload the voice note. To check how loud a podcast episode is, you upload the episode. The work is trivial, the upload is not, and the file ends up sitting on a server you will never see again.

None of that is necessary any more, and it has not been for a while. Every modern browser ships with a complete audio engine: it can open an MP3, hand you every individual sample, run filters over them and write the result back out. It is the same machinery a web game uses for its sound effects, and it is idle on almost every page you visit. These tools use it. Your file is opened by the page, worked on by your own processor, and saved by your own browser, and at no point does it go anywhere.

That choice has a real, visible consequence: most of these pages download nothing at all. A trim, a fade, a loudness reading, a sample rate change, a mono fold, a spectrum: all of it happens with what your browser already has. The only time anything is fetched is when you ask for the result as MP3, M4A, OGG or FLAC, because writing those needs a proper encoder, and that is a thirty megabyte download which happens once and is then kept. Ask for WAV and you will never see it.

Where the numbers matter, they are the real ones. Loudness is measured the way broadcasters measure it, with the filter and the two gates the standard specifies, which is why it will not agree with a simple average and should not. True peak is measured between the samples, not just at them, because that is where cheap converters actually clip. Tempo comes from correlating the file's own energy against itself rather than from a tapped guess. Every one of these pages says what it did and what it could not do.

What this cannot be is a digital audio workstation, and it does not pretend to be one. There are no tracks, no plugins, no mixdowns. Each page does one job to one file, or to a row of files, and does it plainly enough that you can tell whether it worked. For a two hour recording on a phone you will want a real computer, and the page will say so before you waste your time. For everything else, it is faster than uploading and it is nobody else's business.

Frequently Asked Questions

About audio in a browser in general. Each tool has its own answers too.

No, and you can prove it in about ten seconds. Load any of these pages, turn your wifi off, then drop a file in and use the tool. It still works. A page that was sending your file to a server could not possibly do that. The only network request any of these pages ever makes is for the encoder, and only when you ask for MP3, M4A, OGG or FLAC.

Because your browser can read compressed audio but cannot write it. Reading is built in, which covers opening your file and everything done to it. Writing MP3, M4A, OGG or FLAC needs a real encoder, and the only way to have one inside a browser is to fetch it: that is the thirty megabytes, it happens once, and your browser keeps it for next time. WAV is the exception in both directions, because this page writes WAV itself, so a tool that outputs WAV downloads nothing at all.

Length matters far more than file size, and this is the thing worth understanding. Sound has to be opened at full detail to work on, which costs roughly twenty one megabytes of memory for every minute of stereo. A four minute song is about eighty megabytes and is nothing at all. A ninety minute interview is close to two gigabytes and will fail on most machines. Between those, it depends on your device, and every page tells you where you stand the moment you pick a file. Making it mono, or dropping the sample rate, halves or quarters the load.

Yes, slightly, and that is true of every tool anywhere, not just this one. MP3, M4A, OGG and Opus work by discarding detail your ear is unlikely to miss. Opening one and saving it again runs that discarding a second time, on sound that has already lost something. For one pass at 192 kbps or above you are very unlikely to hear it. If you are going to keep working on the file, or it is a master, take WAV or FLAC out of these pages instead: neither throws anything away.

Because they are measuring different things, and both are right about their own thing. A simple volume or RMS number is an average of the whole file, silence included, so a track with long quiet passages reads low. The loudness meter follows the broadcast standard: it filters the sound the way an ear weights it, measures it in short blocks, and then throws away the blocks that are near silence before averaging. That is what streaming services normalise against, so it is the number to use when you care about how loud something will actually sound.

On the pages marked Bulk, yes: drop a row of files in and each one is worked through in turn, with the finished set available as a single ZIP. They are done one after another rather than all together, because a browser can only hold one file at full detail without running out of memory. Each file can also be given settings of its own if it needs them, and the rest of the row will not be affected.

They do, and the pages are built for a narrow screen. The limit is memory: a phone has far less of it and is also allowed to pause a tab the moment you switch apps, which stops the job halfway. Short files are fine. For anything over ten minutes or so, a computer is the better bet, and the page will tell you when it thinks you are pushing it.

No, and it is worth saying plainly rather than letting you find out. Separating a mixed recording back into its parts needs a trained model, which is a large download and real computation, and that is a different kind of tool from anything here. What these pages can do is the honest, measurable version: lift or cut a frequency range, fold a stereo file to mono, take the two channels apart, reduce steady background noise. A centre-channel trick can thin a vocal that happens to sit dead centre, but it takes the bass and the snare with it, so it is not what people mean when they ask for this.

Nothing about your file. The only thing any of these pages remembers is which output format and which encoder setting you last chose, kept in your own browser so you do not have to pick them again. No file name, no file, nothing that is yours. Clear your browser storage and even that is gone.

Every Other Category

17 more sets of tools on the site. All free, all in your browser.

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